Nostalgia For The Light
Posted: Wed Mar 23, 2011 12:04 am
What do Astronomers, Archaeologists, and victims of a dictatorship have in common?
http://www.salon.com/entertainment/movi ... index.html
And what I find most despicable is that the USA supported this dictatorship back in the 1970s.
Pol Pot became leader of Cambodia in mid-1975. During his time in power, Pol Pot imposed a version of agrarian socialism, forcing urban dwellers to relocate to the countryside to work in collective farms and forced labor projects, toward a goal of "restarting civilization" in a "Year Zero". The combined effects of forced labor, malnutrition, poor medical care and executions resulted in the deaths of approximately 21% of the Cambodian population.
Also, Po Pot had all the intellectuals executed. Another words, anybody who could read or write, or anybody who even wore eye glasses were subject to torture and execution.
Yeah, Cambodia was not a safe country for nerds and geeks.
Po Pot was someone the jocks can look up to!
Now, look at the anti-intellectualism that we're now seeing in the USA today.
http://www.salon.com/entertainment/movi ... index.html
Gen. Augusto Pinochet (of should I say, Pinoshit?) was just another vicious mad dog dictator who had thousands of people tortured to death.![]()
Friday, Mar 18, 2011 20:30 ET
"Nostalgia for the Light": A spectacular
head-trip into Chile's Atacama Desert
Astronomers, archaeologists and victims of dictatorship
collide in the gorgeous "Nostalgia for the Light"
By Andrew O'Hehir
A still from "Nostalgia for the Light"
What connections can be drawn between astronomers who study distant stars and galaxies, archaeologists who study pre-Columbian petroglyphs and mummified human remains, and women searching for loved ones who disappeared during Chile's 1970s military dictatorship? In Patricio Guzmán's almost metaphysical documentary "Nostalgia for the Light," Chile's Atacama Desert -- often described as the driest place on Earth -- is depicted as the site of all these explorations. This film demands patience from the viewer, unfolding its themes and its spectacular images gradually. But it packs a potent intellectual and emotional wallop, combining a post-Augustinian philosophical consideration of time with a passionate desire to uncover Chile's painful recent history.
A veteran Chilean leftist who spent many years in exile after the 1973 military coup that overthrew the democratic socialist government of Salvador Allende, Guzmán became famous throughout the film world for his three-part documentary "The Battle of Chile," which captured all the drama and tragedy of his country's revolution and counterrevolution. It's one of the greatest living-history pictures ever made, as well as a work of ardent political advocacy that influenced a generation of young radical filmmakers all over the world. (I'm confident that Michael Moore, Oliver Stone and Ken Loach, for instance, would agree.)
Almost four decades after Gen. Augusto Pinochet ousted Allende and installed a murderous right-wing junta (warmly embraced, of course, by the United States), Guzmán remains hypnotized by that history. (He has also made films about Pinochet and Allende, as well as a documentary about his own return to Chile in 1997.) Traveling into the Atacama turns out to be at once a way of transcending that fixation and of going into it more deeply. Astronomers come there from all nations because the humidity-free skies render celestial bodies brilliantly clear; archaeologists come there because human remains and artifacts from thousands of years ago are perfectly preserved; and bereaved mothers, wives and sisters come there because Pinochet's regime apparently buried the bodies of hundreds of kidnapped and executed dissidents there in the '70s and '80s.
All these people, Guzmán observes, are concerned with the past, and at least indirectly with the most profound and unanswerable questions about the nature and meaning of human existence. (Remember that the starlight we see from Earth has been traveling through space for many years; astronomers viewing the most distant galaxies are literally looking billions of years back in time.) As one astronomer explains, there is almost no such thing as the present -- a fact observed by St. Augustine 1,600 years ago -- and another observes that the atoms of calcium in the bones of Indians and dissidents interred in the Atacama were forged long ago by the stars, perhaps in the Big Bang itself. Guzmán even finds a young female astronomer whose parents were killed by Pinochet's goons when she was a year old, and who finds in her profession a transcendent understanding that has eased her pain. (If the final scenes of her with her newborn don't leave you weeping, irrespective of your politics, I don't know what to say.) "Nostalgia for the Light" is less a conventional documentary than a work of poetic imagination or a nontheistic spiritual meditation. Enormously moving and wondrous to behold, it looks for a peaceful equilibrium in the universe that its creator's home country may never find in itself.
"Nostalgia for the Light" is now playing at the IFC Center in New York. It opens March 25 in Seattle; April 1 in Vancouver, Canada; April 22 in Los Angeles and Washington; and May 13 in San Francisco, with more cities to follow.
And what I find most despicable is that the USA supported this dictatorship back in the 1970s.
You all remember the Pol Pot Regime in Cambodia?Almost four decades after Gen. Augusto Pinochet ousted Allende and installed a murderous right-wing junta (warmly embraced, of course, by the United States), Guzmán remains hypnotized by that history.
Pol Pot became leader of Cambodia in mid-1975. During his time in power, Pol Pot imposed a version of agrarian socialism, forcing urban dwellers to relocate to the countryside to work in collective farms and forced labor projects, toward a goal of "restarting civilization" in a "Year Zero". The combined effects of forced labor, malnutrition, poor medical care and executions resulted in the deaths of approximately 21% of the Cambodian population.
Also, Po Pot had all the intellectuals executed. Another words, anybody who could read or write, or anybody who even wore eye glasses were subject to torture and execution.
Yeah, Cambodia was not a safe country for nerds and geeks.
Po Pot was someone the jocks can look up to!
Now, look at the anti-intellectualism that we're now seeing in the USA today.